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There's a new Mission: Impossible film out in a minute, which is good because the stench of the last one has just about left cinemas. I do love this franchise (well, three-fifths of it so far), but there's no getting away from the fact that 2015's Rogue Nation effortlessly stole the crown of rubbishest Missiossible from 2000's M:I-2, which was a $125 million shampoo ad directed by a psychopath.

If further proof were required of the need for Ridley Scott to step away from directing more entries in Ridley Scott-instigated franchises, the Denis Villeneuve-helmed Blade Runner 2049 is it. I mean Scott's Prometheus should have provided sufficient evidence for this argument but that didn't stop his Alien Covenant happening, and look at us now: adrift in a once-beloved series of films which

To coincide with the release of Dunkirk, Christopher Nolan curated a season of films at the BFI which influenced his WWII carnival of trauma. "Our season explores the mechanics and uses of suspense to modulate an audience's response to narrative," Nolan explained, and while he might have sounded like some kind of emotion-curious automaton, that declaration of intent - alongside the films he