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They say that in 2017, web-based film commentary has been reduced to little more than highly subjective listicles that mean nothing to anyone but the writer, whose over-inflated sense of ego drives them to continually vomit their opinions onto the internet regardless of a total lack of insight and a steadily dwindling readership. I don't know if this is true because I've been far too busy

dir. Yorgos Lanthimos, UK / Ireland, 2017 Like Stanley Kubrick with a better sense of humour, Yorgos Lanthimos has sliced another clinically staged, deeply macabre piece of own-brand quirkery and served it up with a dollop of the blackest comedy you're likely to find this side of Michael Haneke. If you're not chuckling at a late scene in The Killing Of A Sacred Deer that portrays the kind of

It's just a few weeks, some days and an hour or two until the 61st London Film Festival takes over literally everyone's lives, and if you're not excited about it then you must be the kind of person who leads a fairly healthy lifestyle. Can we meet up one day and chat about it? A friend of mine needs tips on how to be a better person. Anyway, because I labour under the misapprehension that