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Unbelievably (despite time being a constant), it's one-tenth of a century today since this ridiculous excuse for a website winked into existence. 1,168 blog posts later, somebody at The Incredible Suit HQ thought it would be a good idea to celebrate by collating the entire team's 100 favourite films and ranking them for you to ignore at your leisure. So we took all the votes, assigned points,

It's been nearly eight years since Joe Cornish's terrific debut Attack The Block, a film that, in 2011, put him in the middle of the Venn diagram of British directors making excellent, modestly-budgeted sci-fi (cf. Duncan Jones, Gareth Edwards) and British directors making impressive first features (cf. Richard Ayoade, Paddy Considine). Cornish has hardly been dozing in that time, but it's

Lukewarm on the heels of my all-consuming Alfred Hitchcock project, I spent much of 2016 rewatching (and, in some cases, having my first go on) the films of bearded genius and double-denim advocate Steven Spielberg. The Berg's first official theatrical release, The Sugarland Express, came out the year I was born, so it logically follows that he's been making films specifically for me for my

It must be the season for movies about people with potentially catastrophic superpowers being seen as either a saviour or a weapon depending on your point of view; fortunately for Midnight Special, it's directed by Jeff Nichols instead of Zack Snyder, thereby rendering it several million percent more watchable than Batman v Superman. It doesn't have Hans Zimmer's Wonder Woman theme in it though

"A battle is being fought by two competing views of the world," intones a character in Steven Spielberg's Cold War drama Bridge Of Spies, and the subtext hangs in the air like a dense cloud of obviousness. It'd be easy to accuse the line of being trite - yes, that battle is always being fought, we get it - if it wasn't hammered home by two recent real-world events: the terrorist attacks in

How do you write a new Jurassic Park movie? Before the series was barely two films old, the formula of this sub-sub-genre was patented, packaged and slapped on a plastic lunchbox: people run away from dinosaurs; C-listers and greedy / stupid characters die in 12A-friendly fashion, topline cast survive. All you can do is add new dinosaurs, new actors for them to chomp on, a new kind of greed /