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Phase One of the Star Wars Cinematic Universe comes to a close with Return Of The Jedi, a film which, by necessity, must be all payoff for the two-hour setup of The Empire Strikes Back. And pay off it does, in ruddy great space-spades: Jedi delivers on an increasingly huge scale, even as its supporting characters become increasingly smaller. twats The first point of order is obviously to

Londoners would be hard pressed to make it home from work this summer without inadvertently wandering into an open-air cinema screening, so prolific are they at this stage. They're happening literally everywhere: in fields, on rooftops, in markets, in ladies' changing rooms, underwater, in bowls of soup, in space and in the space between spaces. But only one of the brands currently peddling

The battle is over, but the Wars have just begun. As amazing, exciting and innovative as A New Hope was, it was an introduction, a mere prologue to the expansion of its own universe which is executed on such an epic scale in its sequel. This is the birth of the space opera; the moment where the fun kids' film matures, bringing all the agony and adventure of adolescence to the movies in wave

THE GIFT I appreciate this looks like your average home invasion thriller, but that's an interesting cast right there, plus Jason Bateman looks like my friend Luke and watching him being terrorised by a psychopath is my idea of fun. Sorry Luke. (7th) THE MAN FROM U.N.C.L.E. Kingsman: The Secret Sevice. Mission: Impossible - Rogue Nation. The Man From U.N.C.L.E.. I'm enjoying all these

NO TIME FOR IRREVERENT INTRO TOO EXCITED Bond's questionable choice of headgear continues: after the teaser's silly limp woolly affair, here he is sporting a topper complete with Baron Samedi-type mask. Note gentleman in background making no effort whatsoever to join in with the Day Of The Dead parade; I hope he gets blown up soon. Bond's only gone bloody rogue in bloody Mexico! He

It's only fitting that Inside Out should nudge Force Majeure off the top of my ongoing Best Films Of 2015 list: the latter is a film about how shitty it is being a grown up with the world on your shoulders, while Pixar's latest nimbly captures the shittiness of actually doing the growing up and feeling the world forcing itself onto your shoulders in the first place. Of course the two films

It seems impossible for any discussion of Peyton Reed's Ant-Man to take place without referring to Edgar Wright's Ant-Man, so let's get that out of the way sharpish. When Wright and co-writer Joe Cornish left the project just over a year ago after working on it for over a decade, it was tricky not to feel a little deflated. It's not that their involvement necessarily guaranteed a flawless