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I made my annual pilgrimage to the London Gin Festival the other week because I love gin, and if someone's going to go to the trouble of holding a festival in honour of something I love then I feel it's my duty to pay my respects. I also feel it's my duty to spend waaaaaaayy too much money on the thing I love to prove that I love it more than everyone else, and that is an entirely healthy

Hello. Neil here. You probably haven't noticed but I've been banging on about films on this criminally undercelebrated, literally award-losing website for nearly nine years now, minus a year off in 2013 when I was kidnapped by a jealous rival movie blog. My regular reader will know how comically infrequent updates are these days, and for that I would apologise if only anyone cared. It's not

They say that in 2017, web-based film commentary has been reduced to little more than highly subjective listicles that mean nothing to anyone but the writer, whose over-inflated sense of ego drives them to continually vomit their opinions onto the internet regardless of a total lack of insight and a steadily dwindling readership. I don't know if this is true because I've been far too busy

After giving Alfred Hitchcock and Steven Spielberg a thorough seeing-to on these pages, I decided it was time to have a go on a director I've always admired but never quite loved: Martin Scorsese. Turns out I now love him too, possibly because I've spent much of this year up to my elbows in his unique, troubling and seductive world view. And what better way to celebrate his 75th birthday

Under common law, the British crown is inherited by a sovereign's children or by a childless sovereign's nearest collateral line. In the case of Queen Elizabeth II, her heir apparent is Charles, Prince Of Wales, and next in line is William, Duke Of Cambridge. This legislation means that even the Queen herself is unable to stop Charles succeeding to the throne, because it would require a new Act

The 2017 London Film Festival may have finished two days ago, but the film-reviewing fun never stops here at The Incredible Suit! Oh god please make it stop Thelma dir. Joachim Trier, Norway / France / Denmark / Sweden, 2017 Essentially an arthouse Carrie, Joachim Trier's Thelma is a story of one girl's sexual awakening and the inconvenient psychokinetic side effects it has on her,

dir. Alexandre O Philippe, USA, 2017 I strongly suspect that I may have seen more Alfred Hitchcock documentaries and featurettes than actual Alfred Hitchcock films, and I say that as someone who's seen every Alfred Hitchcock film (did I mention that I watched every Alfred Hitchcock film? Oh sorry, how tedious of me, LOOK AT THIS). Laurent Bouzereau's DVD extras are the gold standard for