Skip to main content

LFF 2017: The Killing Of A Sacred Deer


dir. Yorgos Lanthimos, UK / Ireland, 2017



Like Stanley Kubrick with a better sense of humour, Yorgos Lanthimos has sliced another clinically staged, deeply macabre piece of own-brand quirkery and served it up with a dollop of the blackest comedy you're likely to find this side of Michael Haneke. If you're not chuckling at a late scene in The Killing Of A Sacred Deer that portrays the kind of

Comments

Popular posts from this blog

Advertorial: Selling my soul to Backyard Cinema for a burger and a beer

Londoners would be hard pressed to make it home from work this summer without inadvertently wandering into an open-air cinema screening, so prolific are they at this stage. They're happening literally everywhere: in fields, on rooftops, in markets, in ladies' changing rooms, underwater, in bowls of soup, in space and in the space between spaces. But only one of the brands currently peddling

LFF 2018: The Favourite & Stan & Ollie

The Favourite dir. Yorgos Lanthimos, Ireland / UK / USA, 2018 Yorgos Lanthimos is back back back, and he's brought the triple threat of Olivia Colman, Rachel Weisz and Emma Stone with him for this sumptuous and irreverent telling of the true rivalry between Sarah, Duchess of Marlborough (Weisz) and Abigail Hill (Stone) for the affections of Queen Anne (Colman). The often-troublingly

LFF 2018: The Ballad Of Buster Scruggs & The Old Man & The Gun

The Ballad Of Buster Scruggs dir. Joel Coen & Ethan Coen, USA, 2018 For the first twenty minutes or so of The Ballad Of Buster Scruggs - the Coen brothers' anthology film of six tales of the American frontier (with colour plates) - I was in absolute heaven. Tim Blake Nelson's titular cowboy, as adept at singin' as he is at gunslingin', rattles off the kind of classic Coens dialogue that